The record in your head.

Out of the speakers

Experience you can trust. Ears you can count on.

Hear My Work
Work With Me

A Few Records I’m Proud To Have A Hand In

Man wearing a black cowboy hat and denim jacket, smiling and posing with one hand in pocket, against a blue background with partially visible text. Make a life Not a Livin. by Brett Kissel Juno Award Winning Country Album of the Year.
Make a Life, Not a Living
Brett Kissel

ENGINEERED

Logo with a stylized crown, the text 'King Fabbs' above, and 'Your Safest Place' below.

PRODUCED · ENGINEERED · MIXED · MASTERED · DRUMS

Safe and Sound
King Fabbs
A man with blond hair sitting on a shopping cart, resting his head on his hand, wearing a black leather jacket, with the words "DAN DAVIDSON" and "Nineteen Eighteen Something" By Dan Davidson
He Met a Girl
Dan Davidson

ENGINEERED

Book cover titled "Last Rodeo" by Jess Moskaluke with a blurred background of trees and a pink and gray color scheme.

VOCAL PRODUCED · ENGINEERED

Last Rodeo
Jess Moskaluke
Two people, a woman and a man, standing in front of a neon sign that says "Blame it on the NEON, LEAVING THOMAS." The woman is wearing a black dress with short sleeves, and the man is wearing a black leather jacket and jeans.
Blame It On the Neon
Leaving Thomas

ENGINEERED

A smiling man with glasses and a beard, sitting at a wooden table with arms crossed, tattoos on arms, dark sleeveless shirt, green and black patterned background, and green text on the side that reads 'HUTLET GRAND LINE'.

PRODUCED · ENGINEERED · MIXED · MASTERED · DRUMS

Springing up Ghosts
Hutlet
A colorful collage featuring a woman with purple hair, a person and a dog on a journey, a crowd of people, a landscape with a mountain and river, and a statue or figure with sunglasses. Life In Color by Face The Earth

PRODUCED · ENGINEERED · MIXED · MASTERED

We Are
Face The Earth
Album cover for Porcelain by The Fallow Years featuring a black and white photo of two musicians, with one playing the guitar, and the band name and album title displayed.

PRODUCED · ENGINEERED · MIXED

Porcelain
The Fallow Years
Album cover titled 'Still Waters' by 'The Hello Darlins' featuring Matt Andersen, depicting a stylized river curving through a dark landscape with stars.
Still Waters (feat. Matt Andersen)
The Hello Darlins

ENGINEERED

LIKE WHAT YOU HEAR?

Lets make something worth listening to.

The Proof Is In The Record

A man wearing a black cowboy hat and denim jacket looking into the distance, holding his hat with one hand, with a tattoo on his arm, in black and white. Brett Kissel

Don’t Take My Word For It.

“Brennan is one of those pros who just gets it. He has an incredible ear, knows what the song needs, and brings the perfect balance of technical skill and creativity. I trust him with my music because he cares about every detail without ever losing sight of the bigger picture.”
— Brett Kissel
JUNO & CCMA Award-Winning Artist

A woman singing passionately into a microphone during a performance, with long blonde hair and wearing bracelets. Sass Jordan

“Brennan is a total pro and someone I really enjoy working with. He gets the job done, and he has a great set of ears.”
— Sass Jordan
JUNO Award-Winning Artist

A man in a plaid shirt operating a large audio mixing console in a recording studio. Spencer Cheyne
A woman with long wavy hair wearing a black lace dress leaning on a vintage car in a field. Jess Moskaluke

“Brennan has great ears, an incredible work ethic, and knows how to make artists and musicians feel relaxed in the studio. He’s an engineer I’d be thrilled to work with on any recording session. I believe he is one of the country’s top young engineers”
— Spencer Cheyne
JUNO Award-Winning Producer

“Having someone I trust completely on monitors makes all the difference, and Brennan is truly one of the best. He’s attentive, professional, an incredible problem solver, and genuinely cares about making sure I can perform at my best. I sing better—and have way more fun onstage—because I know I’m in great hands.

But don’t hire him. He’s already too busy, and I need him back on the road with me. Kay thanks.”

— Jess Moskaluke
Juno & CCMA Award-Winning Artist

A man wearing a cap, glasses, and a black t-shirt playing an electric guitar on stage with stage lighting in the background. Matty McKay

“Brennan’s professionalism, humility and good nature are a huge asset in any session or live setting. And the guy has killer ears and instincts. Big time.”
— Matty McKay
JUNO Award-Winning Producer & CCMA Award-Winning Guitarist

A man wearing a hat and hoodie sitting in front of a music recording studio mixing console with speakers and a blue-lit room in the background. Brennan Kennedy JUNO and CCMA award winning Producer, Engineer.

ABOUT ME

I’m a Juno Award–winning music producer, audio engineer, mixer, and live sound engineer based in Calgary, Alberta, working out of OCL Studios.

Whether I’m in the studio or on the road, I bring a musical approach, sharp instincts, and years of experience to every project. From producing and engineering records to shaping a mix or working behind the console live, my approach is always the same — serve the artist, serve the song, and make it feel right.

Get Started

What I Do.

From the first idea to the final master, everything serves the song.

  • Shape the vision, arrange the parts, and build a release-ready track without losing what makes it yours.

  • Capture great performances and great sounds at the source — the foundation of a record that already feels finished.

  • Balance, depth, punch and detail — bringing every part of the production together into a finished record.

  • Tour, showcase, release show. Loud and clear, and not a science experiment at soundcheck.

  • Need drums that sound like the song in your head? In-studio or remote tracking.

A professional home recording studio with a computer monitor showing digital audio workstations, surrounded by studio speakers, acoustic panels, a leather couch, and ambient lighting.
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How It Runs

Three steps. One clear process. From the first idea to the final mix.

Start With The Song

Produce

We start by figuring out what the song needs and where it needs to go. Arrangement, instrumentation, tones, references and the overall direction of the record all get dialled in before we worry about anything else. The goal is simple: make every decision serve the song.

Capture It Right

Record

Great sounds start at the source. We focus on performances, mic choices, placement and tones to capture tracks that already feel like a record. Whether we’re building from the ground up or bringing an existing production across the finish line, everything is recorded with the final result in mind.

Bring It All Together

Mix + Master

This is where everything gets its place. Balance, depth, dynamics, tone and detail come together to turn the production into a finished mix. The goal isn’t to make it sound processed—it’s to make it feel effortless, exciting and finished.

Every step is about making the song the best version of itself.

Professional recording studio with a large mixing console, computer monitor, studio speakers, and soundproof walls.

Good Records Start With A Conversation

Have a project in mind? Tell me about it.